Tag Archives: Australian
It’s approaching the end of financial year and in the world of business, it’s another Christmas! Well, today it certainly felt like it when I met someone, lets call that person Santa, who had a few surprises in their camera bag.
My source informs me that I’m the 5th person to see this on Australian shores, so I am really excited to get my hands on them! These ultra-wide angle zoom lenses are a great addition to Canon’s range and will suit different levels of photographers.
I’m most surprised by the Canon EF-s 10-18mm IS STM, it’s tiny size (like a 50mm prime lens), light-weight, solid feel with many more features and I think this will sell really well at the price. I also think it will be the ultimate budget traveller’s Landscape Lens if you are a photographer that wants high quality, light weight and low replacement costs in case it gets damaged of stolen.
It is replacing Canon’s EF-s 10-22mm , which was released in 2004 and is still a great lens if you want an ultra-wide angle lens that has ‘L-series’-style colour reproduction and overall, a sharp quality with little distortion. I haven’t had a chance to pixel peep into at the images from the EF-s 10-18mm on the 70D because there was no memory card in the camera! So I can only hope that this lens will be as good if not better than the EF-s 10-22mm’s image quality. Here are some pictures from Mic’s review of the Canon EF-s 10-18mm.
A few other features that stood out were the image stabilisation and an STM motor for a quick and ‘silent’ auto-focus. Great for any handheld work, especially landscape and architectural photographers and videographers.
For low-light situations, the image stabilisation will give you 4 stops more light, in the case that a real estate agent/photographer forgets to bring a tripod, they can shoot indoors handheld providing there is sufficient light, and a higher ISO setting may need to be used.
Canon EF-s 10-18mm IS STM specifications:
- Focal Length: 10–18mm
- Maximum Aperture: 1:4.5–5.6
- Lens Construction: 14 elements in 11 groups
- Diagonal Angle of View: 107°30′ – 74°20′
- Focus Adjustment: Rear focus system
- Closest Focusing Distance: 0.72 ft. / 0.22m
- Filter Size: 67mm diameter
- Max Diameter x Length, Weight: 2.9 x 2.8 inches, approx. 8.5 oz. / 74.6 x 72.0mm, approx. 240g
And for the enthusiast, semi-pro or professional there is the Canon EF 16-35mm f/4L USM IS Lens, the glass and the build quality in this lens is much better than the EF-s 10-18mm, but that’s because it is the signature L-series, with that comes a price and a quality standard to be expected.
This lens has the added benefit of image stabilisation, again, great for the videographers, although I don’t find it necessary for my handheld video or landscape needs, it will be great for the price, which is a little cheaper than the Canon 16-35mm f/2.8L MKII.
As a current owner of the Canon EF 16-35mm f/2.8L MKII, I can vouch for the quality of these L-series Ultra-wide lenses. They render rich beautiful colours with great micro-contrast within the details. I am currently using this lens on Canon 50D and 70D, both are APS-C cropped sensor cameras, and it has a very usable zoom-range of 26-56mm on an equivalent 35mm sensor. It is my work-horse lens that I use for landscapes, portraits and events.
In saying that there are still disadvantages of Canon’s wide angle zoom lenses like having corner softness. But hopefully this lens is sharp at f/4 in the corners. As mentioned above, I wasn’t able to pixel peep, but here are some sample shots from Canon Rumors Guy. Seems pretty sharp in the corners to me, I did spot 1 image that had corner softness, but it really depends on your focusing technique and the aperture setting of the lens.
Canon EF 16-35mm f/4L USM IS specifications:
- Focal Length: 16–35mm
- Maximum Aperture: 1:4.0
- Lens Construction: 16 elements in 12 groups
- Diagonal Angle of View: 108°10′ – 63°
- Focus Adjustment: Inner focus system
- Closest Focusing Distance: 0.92 ft. / 0.28m
- Filter Size: 77mm diameter
- Max Diameter x Length, Weight: 3.3 x 4.4 inches, approx. 21.7 oz. / 82.6 x 112.8mm, approx. 615g
2012 Road-trip up the NSW coastline with my buddy Timothy Yip
Day 1 of 6
Earlier on in the day we had left Sydney to drive up north to visit the sights at Terrigal, which is in the Central Coast region. The weather was fantastic with blue skies and little cloud cover. I will post the Terrigal collection in another post.
Here are 2 highlights taken from our 2nd destination, Norah Head Lighthouse, around 3PM in the afternoon. Pictured in the first image is of course Norah Head Lighthouse, and in the second, is a small (but colourful) part of the massive rock platform on which the lighthouse is perched atop of (you can see on the Google Maps image below). Storm clouds were brewing off the coast and we started to feel a light sprinkle of rain, so we packed up our gear and walked back to the car park to seek refuge in a motel so we could recharge for the night.
Where is Norah Head Lighthouse?
Note: the beautiful aqua and blue colours emanating from the massive rock through the water.
Gear for the shoot
- Canon 50D
- Tokina 11-16mm F2.8
- Benro carbon-fiber tripod
- Aputure remote shutter trigger