Tag Archives: sydney
It’s approaching the end of financial year and in the world of business, it’s another Christmas! Well, today it certainly felt like it when I met someone, lets call that person Santa, who had a few surprises in their camera bag.
My source informs me that I’m the 5th person to see this on Australian shores, so I am really excited to get my hands on them! These ultra-wide angle zoom lenses are a great addition to Canon’s range and will suit different levels of photographers.
I’m most surprised by the Canon EF-s 10-18mm IS STM, it’s tiny size (like a 50mm prime lens), light-weight, solid feel with many more features and I think this will sell really well at the price. I also think it will be the ultimate budget traveller’s Landscape Lens if you are a photographer that wants high quality, light weight and low replacement costs in case it gets damaged of stolen.
It is replacing Canon’s EF-s 10-22mm , which was released in 2004 and is still a great lens if you want an ultra-wide angle lens that has ‘L-series’-style colour reproduction and overall, a sharp quality with little distortion. I haven’t had a chance to pixel peep into at the images from the EF-s 10-18mm on the 70D because there was no memory card in the camera! So I can only hope that this lens will be as good if not better than the EF-s 10-22mm’s image quality. Here are some pictures from Mic’s review of the Canon EF-s 10-18mm.
A few other features that stood out were the image stabilisation and an STM motor for a quick and ‘silent’ auto-focus. Great for any handheld work, especially landscape and architectural photographers and videographers.
For low-light situations, the image stabilisation will give you 4 stops more light, in the case that a real estate agent/photographer forgets to bring a tripod, they can shoot indoors handheld providing there is sufficient light, and a higher ISO setting may need to be used.
Canon EF-s 10-18mm IS STM specifications:
- Focal Length: 10–18mm
- Maximum Aperture: 1:4.5–5.6
- Lens Construction: 14 elements in 11 groups
- Diagonal Angle of View: 107°30′ – 74°20′
- Focus Adjustment: Rear focus system
- Closest Focusing Distance: 0.72 ft. / 0.22m
- Filter Size: 67mm diameter
- Max Diameter x Length, Weight: 2.9 x 2.8 inches, approx. 8.5 oz. / 74.6 x 72.0mm, approx. 240g
And for the enthusiast, semi-pro or professional there is the Canon EF 16-35mm f/4L USM IS Lens, the glass and the build quality in this lens is much better than the EF-s 10-18mm, but that’s because it is the signature L-series, with that comes a price and a quality standard to be expected.
This lens has the added benefit of image stabilisation, again, great for the videographers, although I don’t find it necessary for my handheld video or landscape needs, it will be great for the price, which is a little cheaper than the Canon 16-35mm f/2.8L MKII.
As a current owner of the Canon EF 16-35mm f/2.8L MKII, I can vouch for the quality of these L-series Ultra-wide lenses. They render rich beautiful colours with great micro-contrast within the details. I am currently using this lens on Canon 50D and 70D, both are APS-C cropped sensor cameras, and it has a very usable zoom-range of 26-56mm on an equivalent 35mm sensor. It is my work-horse lens that I use for landscapes, portraits and events.
In saying that there are still disadvantages of Canon’s wide angle zoom lenses like having corner softness. But hopefully this lens is sharp at f/4 in the corners. As mentioned above, I wasn’t able to pixel peep, but here are some sample shots from Canon Rumors Guy. Seems pretty sharp in the corners to me, I did spot 1 image that had corner softness, but it really depends on your focusing technique and the aperture setting of the lens.
Canon EF 16-35mm f/4L USM IS specifications:
- Focal Length: 16–35mm
- Maximum Aperture: 1:4.0
- Lens Construction: 16 elements in 12 groups
- Diagonal Angle of View: 108°10′ – 63°
- Focus Adjustment: Inner focus system
- Closest Focusing Distance: 0.92 ft. / 0.28m
- Filter Size: 77mm diameter
- Max Diameter x Length, Weight: 3.3 x 4.4 inches, approx. 21.7 oz. / 82.6 x 112.8mm, approx. 615g
Empress Falls, Blue Mountains
This stream runs from the spill off of the Valley of Waters Creek. Taking millions of years to cut a narrow canyon (now known as Empress Canyon, it is now popular for abseiling) through the upper layers of the Blue Mountains Sandstone to end up here at Empress Falls where the water spills 30 meters from the gorge and into a deep pool, surrounded by fern-filled ledges.
Empress Falls was the 2nd waterfall along the 9km Wentworth Falls circuit. It was a tough downhill trail with an even tougher uphill stair climb that reaches inclines of up to 60degress. Your legs will be burning with lactic acid as you climb up the steep stairs up the side of a waterfall, but with every step you take you remind yourself to hold on to the rail or you could fall backwards very easily down 70m to your death.
While taking this shot, a well-built shirtless man in shorts and sneakers was jogging past, as I waited for him to clear the scene, I realised that he could be running around the same trail that my friend and I were hiking which I thought was pretty impressive! And this inspired me to run this trail one day. I think it would be awesome to run through these wonderful scenes and breath in the forest air while getting a punishing workout!
Behind the image
This is actually 3 horizontal images stitched together to make 1 image. This was due to the fact that I broke my wide angle lens on another expedition, and had to rely on my Sigma 30mm during this trip to the Blue Mountains. Fitted onto my Canon 50D, I had to take a lot of multiple shots to fit in these epic waterfalls and landscapes. Not only does this take up more room on the memory card, but I would later have to stitch up these images which was a long process. But frankly, I enjoy the whole process of seeing it come together. And it ends up making my images a higher resolution (more megapixels), with more detail due to the multiple shots.
After stitching this image up, I played with the perspective of the image to get more depth and visual aesthetic.
Then converted it into black and white in Photoshop, while paying attention to the tones, I burned (darkened) some of the shadows to highlight and focus the eye on the waterfall.
This couples photo shoot took 3.5 hours with Maddy May and her friend Jacob. We endured high winds and sand-blasting at Balmoral beach located in North Sydney. My eyes, ears, hair and pockets copped most of the sand and my models did really well to carry on to get the shoot done. While my poor camera and lenses are gonna need a good cleaning and some TLC.
Thankfully the weather was fantastic and the late afternoon sun was just divine, especially during the golden hour. There were many locations in the area that made perfect backdrops for a romantic couples photo shoot, with much more I need to go back and discover. A big thank you to Maddy May and Jacob Duque for giving me the opportunity, and also to Karen (Maddy’s mum) and Carina Jager for being very patient while accompanying them and providing moral support with added critiques. Lovely to meet and spend the time with you guys, it was good fun!
Enjoy our couples photo album and hopefully you get some great couples photography ideas. Please get in contact with me to set up a couples photo shoot through my Contact page.
Blue Haze at Blue Hour
It’s twilight (aka blue hour) and as the sun sets off to one side of the horizon, darkness begins to takeover, and a blue mist lingering over the valley becomes more visible.
This phenomenon is where the Blue Mountains receives it’s name, and is caused by the oil bearing eucalyptus trees releasing fine droplets of eucalyptus oil mixed with dust particles and water vapour.
Standing at a lookout in Wentworth Falls, off to the distance we can see Mount Solitary. It is surrounded by Jamison Valley to the left and Narrow Neck Plateau to the right.
Seussical is a musical theater remix of the Dr. Seuss stories and features of course the Cat in the hat (played by Meg Day), Horton (played by Malcom Tuck), Mayzie (played by Tanya Boyle), JoJo (played by Duncan McDonald), Gertrude (played by Sally Redman) The Bird Girls (played by Adelie Battam, Claire Duffy & Veronica Alonso), and many other popular characters from the books.
*These promo images were photographed by me under the direction of the director, Kenney Ogilvie who evidently is also a graphic designer, and wanted to edited the pictures to his liking. Not being used to other people editing my pics I reluctantly handed over the original files for him to take care of. I had plenty of other cast portraits to edit anyways so it was definitely a load off my shoulders. As you can see he did a great job too, so I can trust his skills now! 🙂
This was the second musical I had the pleasure of shooting for The Regal’s Musical Society. This time there was a huge cast of around 40 adults and children filling up the stage with charismatic energy. It is a family show with an entertaining story and light-hearted humour, having around 20 children performing really added to a cheery atmosphere.
Kenney Ogilvie (the director) had planned and executed his vision so well. Even making a believer out of me (and no doubt a few others) with his daring all-white stage design. When I initially heard of his plans, I was worried that it would be a bit lackluster, and the actors would really have to perform with conviction to keep the audience engaged. Thankfully the crew knew how to bring it and put on a good show!
The simplistic stage turned out to be sleek, modern and elegant, plus, once lit up by ‘Rod’s sound and lighting services‘, it was a delightful view with a beautiful display of colours and lighting effects against the cast’s colourful and creative clothing designs and the white stage. When the scenes change, the set makes some subtle changes too. On another note, the music production was on point with every show and added to the perfection of the show.
I ended up with over 1200 photos from the shows, only to keep around 400. DVDs for the cast and production team members were also created for their own mementos and perhaps portfolios.
Well done again to Kenney, the production crew, orchestra and the cast for making it a grand spectacle!
For a more detailed review click here to read what Stage Whispers said
Another place I call home, so many of Sydney’s landmarks can be seen from here including (from left to right) St. Mary’s Cathedral, Centrepoint tower, Fort Denison, QVB, Sydney Opera House, Anzac Bridge, The Rocks and Sydney Harbour Bridge.
Pictured here is the Southern Cross, or Crux constellation. Also featuring Centaurus’s belly and very bright feet (α [Alpha] & β [Beta] Centauri). Behind, is the Coalsack dark nebula and the Milky way.
The Crux constellation is of high significance in astronomy and philosophy, and is ingrained in the cultures of ancient and modern populations all around the world, especially around the southern hemisphere.